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Episode 49: Buster Keaton0:00/2001× No guest joins us this week so we go back to the way we started, which is appropriate since we will be celebrating our 2-year anniversary with Episode 50 next week!  For this episode, we tumble into the silent film era to discuss

Episode 48: Park Chan-wook0:00/2001× CFCA member, film and television journalist Brian Tallerico stops by to talk about the critically acclaimed Korean director Park Chan-wook.  For this episode, we take a different approach and talk about his renowned, violent, existential revenge films, SYMPATHY FOR MR. VENGEANCE, OLDBOY,

Episode 47: Henri-Georges Clouzot0:00/2001× Friend to the show and film writer Robert Reineke stops by to talk about the groundbreaking French filmmaker Henri-Georges Clouzot.  We start off by discussing his widely acclaimed success THE WAGES OF FEAR and then take a look at the influential noir

Episode 46: Joe Dante0:00/2001× Friend and filmmaker Collin Souter returns to the show to talk about the legendary Joe Dante.  We start off by discussing his breakthrough blockbuster success GREMLINS and then take a look at the underappreciated coming-of-age gem MATINEE.  We later expand upon some

Episode 45: John Carpenter Part II0:00/2001× Jay Cheel of the Film Junk podcast (also as an established filmmaker himself) returns to talk about horror master John Carpenter, and this happens to be our first sequel episode!  This time we delve into his now widely regarded sci-fi horror

Episode 44: Mario Bava0:00/2001× The great Gabe Powers of DVDActive.com (and regular contributor to our site) returns to talk about the incredibly influential horror director Mario Bava.  We focus on his debut Gothic horror classic BLACK SUNDAY as well as what is considered the first slasher film

Episode 43: Wong Kar-wai0:00/2001× Damon Houx of ScreenCrush.com joins us to talk about the influential and original Hong Kong filmmaker Wong Kar-wai. We briefly touch upon on his breakout film CHUNGKING EXPRESS (most of that discussion was lost due to technical difficulties) but the main